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Artist Of Month- Jason Boland & the Stragglers
Order One Of Jason Boland's CDs
Jason Boland’s reputation as a
voraciously untamed songsmith and performer has well preceded
him over the years since emerging first in 1999 at the age of
25. With over 50,000 combined units sold independently, and
backed by a fierce band of the musically well endowed, the
Stragglers are Roger Ray (pedal steel, lead/rhythm guitar), Brad
Rice (drums/backing vocals), and Grant Tracy (bass). Additional
record contributions goes to Noah Jeffries on banjo, mandolin,
and guitar.
Let it be a warning to all: “Mellow” in this case does in no way
translate to lukewarm. In fact, the irons in this fire come out
blazing with the record’s first track “Hank.” Even upon first
listening, if you didn’t know any better, you would swear that
Jason Boland is linked to the Jennings’ gene with his baritone
saunter combined with Tracy’s bouncy bass line. “Dirty Fighting
Love,” co-written with Red Dirt favorite Stoney LaRue, reigns
with the grudge of a bitter lead guitar stopping for breaks in
the desolate land of a heartbreak hang over. “Love Song”
approaches with seemingly exhausted warning of not how love is
lost, but rather how it is gained, while “Mary” whines with the
prowess of Ray’s pedal steel combined with Rice’s surrendering
groove so smooth it would make Jergens jealous. With guest
appearances from Billy Joe Shaver, Red Dirt pioneer Randy
Crouch, Kathleen O’Keefe, Stoney LaRue, and Reckless Kelly’s
Cody Bronze, Somewhere in the Middle is sure not to disappoint.
The title of this album is ironic in the way of its location
being somewhat of a familiar place to Jason—who has been caught
since early on somewhere between mainstream and up the
proverbial creek without a paddle. That is until radio started
flexing some muscle by exercising fans requests going way
outside the lines of the Top 40 mandate. Initial spins were
quick to prove that fans were a little more interested in
quality than quantity. The band’s debut album release of Pearl
Snaps in 1999 put them on the map of the working musician. Truck
Stop Diaries released in 2001 landed them the rarefied #1 spot
on the Texas Music chart with “Travelin Jones,” and the Gruene
with Envy Album of the Year Award, an awards ceremony based
solely on votes by the fans. Live and Lit at Billy Bob’s was
their next release in 2002 winning them the Gruene with Envy
Live Album of the Year as well as securing them a Top 20 spot
with Mexico or Crazy before the single had even been released.
Jason has been called everything from the surfacing king of
alt-swing to an outlaw, and in some cases even a liability. But
all in all, at the end of the day what you have here are five
guys who have been instrumental in putting quality music back on
the radio airwaves, on the covers of magazines nationwide and on
the lips of music goers everywhere.
Produced by Lloyd Maines, Grammy award winning producer for the
Dixie Chicks’ smash album Home, and brought to you by the Smith
Entertainment whose series of “Live at Billy Bob’s” releases
have boosted Texas music record sales by 53%, fans can expect
the new album unleashing by September 21st.
“It’s like going to bed for the very
first time and then going to bed when you’re 29…you take your time a
little bit more” …
This is how Jason Boland associates the difference between his brand
new record and those in the band’s collective past. When it comes to
making music Jason doesn’t feel that one record is the end-all
be-all, but rather emerges as a timepiece, like the ever-faithful
phases of life. And though his list of publicly proclaimed pet names
and labels have suggested him as the ghost of country music past,
Somewhere in the Middle, Jason Boland and The Stragglers’ first
studio album release in three years, delivers a seasoned sonic
indulgence mellowed with age and wiser for the wear.